From ' Chithi Dio Protidin' to ' O Amar Roshiya Bondhu Re', I have also done numerous songs with Alauddin Ali. Their songs were much liked by the audience and they even got National Awards. Then, I sang with Alauddin Ali, and after that, I did a lot of work with Ahmed Imtiaz Bulbul. I had a very nice chemistry with Satya Saha. After Liberation, many of the songs in which I lent my voice had started to become popular. After working the whole night – and a little bit of sleep – I had to attend classes at school.Īfter ' Shudhu Gaan Gaye Porichoy', other songs of Khan Ataur Rahman, be it 'Eki Shonar Aloy Jibon Voriye Dile' or ' Osru Diye Lekha', were well received by the audience. A song would require as much as 80-100 takes as a single mistake meant scrapping the whole take. This was an era when a song had to be recorded in one take.
I would go to the studio at around 11 or 12, and by the time I finished, it would be dawn. I had sung with Satya Saha in many movies. Gradually, I started singing with Satya Saha, Shubol Das, Khan Ataur Rahman and Ali Hossain. Singing in movies became a regular affair for me. Altaf Mahmud was busy working in many films – ' Anowara', 'Nayantara' and 'Taka Ana Pai' and so on. I didn't have to look back after this song. It was a major hit - a breakthrough for me. Third time lucky Then it was time for my third song ' Shudhu Gaan Geye Porichoy' with Altaf Mahmud. The other directors were not calling me I was just participating on the chorus with renowned singers like Ferdausi Rahman, Anjuman Ara Begum and others. I was in ninth grade at Siddheswari School. For some reason, the two songs didn't become that popular. I was very nervous singing alongside him. This time, the song was with Mahmudun Nabi: ' Ekti Pakhi Dupure Rode Songhihara Eka'. Five or six days later, he instead asked me to sing another song. Two or three days passed, and I began fearing that a rejection was coming along. After completing the song, Altaf Mahmud did not give any feedback.
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